Crafting a Divine Realm: An Analysis of World-Building Techniques in Amish Tripathi’s Shiva Trilogy

Abstract

This paper presents a critical analysis of the world-building techniques employed by Amish Tripathi in his Shiva Trilogy, a modern mythological retelling that reimagines ancient Indian deities within a richly constructed historical and cultural landscape. By blending elements of myth, history, and philosophical discourse, Tripathi crafts a narrative space that bridges the divine and human realms, providing readers with an immersive experience that challenges traditional perceptions of divinity and heroism. The study examines how Tripathi’s approach to world-building transcends conventional mythological frameworks, employing cultural realism, linguistic innovation, and symbolic reinterpretation to render the ancient world both accessible and intellectually engaging for contemporary audiences. Through a close reading of key incidents and settings ranging from the regimented society of Meluha to the mysterious realm of the Nagas, the paper illuminates the multifaceted dimensions of Tripathi's fictional universe, exploring themes of morality, identity, and the limits of human agency. Further, the analysis highlights Tripathi’s reinterpretation of mythological symbols and archetypes, demonstrating how these elements serve not only as plot devices but also as reflective instruments that deepen the narrative’s philosophical inquiries. This study ultimately argues that Tripathi’s world-building achieves more than mere setting construction; it engenders a reinterpretation of Indian mythology, inviting readers to engage with enduring mythological themes through a modern lens, thus reaffirming the relevance and adaptability of ancient narratives in an evolving cultural discourse.